La Cage Aux Folles
by Robert Sherer
Although the title literally translates to “the cage of crazy women,” the term “folles” is also slang for effeminate gay men. Like its title, the piece itself toys with gender binaries and heteronormativity. The artist evokes the playful insouciance of youth through his choice of medium, campy, story-book-like illustrations and a soft, “girlified” pastel palette. By pairing whimsy with erotic subject matter, he sets an irreverent mood primed for subversion. And subvert he does: instead of fulfilling social expectations by showing a man watching women kissing, he depicts a mischievous girl as a voyeur looming over the boys. The power relationships exhibited by the figures are ripe for analysis.
Artwork Details
Title: La Cage Aux Folles
Artist: Robert Sherer
Date: 2020
Medium: Pyrography on wood
Dimensions: 14.75 x 13.25 in.
Learn more about this artwork
Artist Overview
Robert Sherer is an internationally exhibiting American visual artist and activist. His multimedia artwork, which often challenges and subverts traditional perceptions of male relationships and societal norms, has led to four notable incidents of art censorship. In his "American Pyrography" series, Sherer's art incorporates autobiographical and fantastical elements. Using techniques such as wood-burning on maple veneer and incorporating classic 1960s illustrations with camp craft materials, he creates scenes that evoke nostalgia and critical reflection. Sherer explains that "while often humorous, [these scenes] can be interpreted as either sexually charged or perfectly innocent. Ultimately, I want to demonstrate that same-sex relationships are wholesome, healthy, life-affirming, or even patriotic."
Resources for Research
"I am what I am," a gay anthem performed by Gloria Gaynor and adapted from the 1973 play and musical, La Cage Aux Folles.